08 March 2013
The Mores Cover Analysis; Or, Why the Fuck Am I the Only One Doing This
Mores is that story, that the idea of it was the inspiration for another work of art, is amazing to me.
If ever there were an argument to be made in favor of the cover contest model, for letting people’s minds run wild rather than contracting with a designer to do a specific model drawn from my utterly unqualified mind, his would make it. The Rmnce cover, as well, would make the point beautifully
In the end, that’s the real reason I risk (and indeed incur) the wrath of the touchier professionals; my work is meant to be art above all else, to convey meaning, and Mores in particular is near and dear to my heart. It carried itself away and in doing so it carried my message and my meaning in a way my planning and plotting and essaying could never have hoped to. To then attempt to plan a cover is contrary to the nature of the thing, and since I can’t do it on my own, letting the community do it is the next best thing.
Maybe the best thing.
The beauty of this lays in the pairing. By taking a cover which flirts with ancient and modern themes without explicitly depicting the story, one allows the story of Mores to be accented by the cover rather than imitated by it. The central theme is kept constant, the trick of Mores being in the dualistic nature of having one story set in ancient times and another in modern, but the distinct realities and execution of the two deemphasize the specifics in favor of the underlying concept. With it, the artistic expression inherent to both pieces becomes mutually complementary, a duality in itself.
All in all, perfection could demand little more. Look for Mores on March 29th!